![]() And “Lullabies(End Titles)” closes our Goatman journey out with melancholy harpsichord and voice that feels like late-60s psych pop of the highest order. “Passion in the Woods” gets a little randy with some funky guitar and electro squalls that may or may not be a couple becoming one with nature. This album tows the line between ambient and incidental, laying on both the creepy noises and psychedelic melodies that feel as if they were locked in a tomb for 71 years. “Darkening Meadow” goes for broke with the mellotron, giving the song a melancholy Moody Blues feel. Season of the Witch and Martin comes to mind. “Footsteps Outside The Cottage” has early Romero vibes. Eerie keys play a sort of cryptic lullaby that would feel right at home in an early 70s creature feature. “Newlywed Arrival” is subtle nightmare fuel. It’s reminiscent of Charles Bernstein’s work on Nightmare On Elm Street. “Eerie Meadow(Opening Titles)” is subtle and makes it known this is not a meadow to be in after dark. ![]() The Unseen’s score feels right at home there a mixture of guitar, synths, mellotron, and paranoia to go around. "The Goatman, from what I can tell, would fall into the folk horror category. ![]()
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